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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院19禁性爱的沼泽宅男腐女恋爱真难糖豆八部黑色喜剧国语杀毒软件之父迈克菲：心魔、逃亡与疯狂人生黄庙村怪谈乱世瓢丐锦绣佳人阴风阵阵2018柔美的细胞小将第三季逆时追凶僧侣寄生怪真爱不忘国语受难记穷孩子富孩子俱乐部的目的萨萨亚境遇摇滚食堂TYPE？用性格测定决定人生我不在那儿照片治愈之旅——逃离现实，到电影中去方外撒玛利亚失踪的女人继父与母女触不到的恋人Eden伊甸园
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院19禁性爱的沼泽宅男腐女恋爱真难糖豆八部黑色喜剧国语杀毒软件之父迈克菲：心魔、逃亡与疯狂人生黄庙村怪谈乱世瓢丐锦绣佳人阴风阵阵2018柔美的细胞小将第三季逆时追凶僧侣寄生怪真爱不忘国语受难记穷孩子富孩子俱乐部的目的萨萨亚境遇摇滚食堂TYPE？用性格测定决定人生我不在那儿照片治愈之旅——逃离现实，到电影中去方外撒玛利亚失踪的女人继父与母女触不到的恋人Eden伊甸园