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剧情介绍
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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院法老王的地下宫殿猛兽列车跌打婆与辣妹合约情侣野火2014茅山斗降头色降捉妖战记卡戴珊家族第三季教父3何日金再来罪与恶我的老板是连环杀手上头姐妹姐姐 都是谎言鬼马狂想曲同一屋檐下1993连城诀Rak si si hawci si saw 3一路逆风碧波女贼嫁给百万富翁逃狱9人组催命符琳达·麦卡特尼跨过鸭绿江订婚2019灰姑娘的诅咒奇迹谷双重人格舞会惊魂
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院法老王的地下宫殿猛兽列车跌打婆与辣妹合约情侣野火2014茅山斗降头色降捉妖战记卡戴珊家族第三季教父3何日金再来罪与恶我的老板是连环杀手上头姐妹姐姐 都是谎言鬼马狂想曲同一屋檐下1993连城诀Rak si si hawci si saw 3一路逆风碧波女贼嫁给百万富翁逃狱9人组催命符琳达·麦卡特尼跨过鸭绿江订婚2019灰姑娘的诅咒奇迹谷双重人格舞会惊魂