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After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle) 星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院法兰西音欲极冻邪恶祝你好运，里奥·格兰德德雷尔一家第三季云做的翅膀极盗家族睡魔永远的大和号无悔追踪王志文版饕餮记这儿是香格里拉布雷斯塔警长电影版坠落JK与废人老师 第二课军人的妻子三岛由纪夫传赛琳娜·戈麦斯：我的思想和我武林外传2006女杀油地狱红草滩视觉武神苏乞儿之红莲虫蛊三妹喜讯恒传镜花风月之螺女挑情惊魂鬼屋丛林奇兵想好以后再恋爱我的女人曼谷爱情故事之魅力的他
After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle) 星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院法兰西音欲极冻邪恶祝你好运，里奥·格兰德德雷尔一家第三季云做的翅膀极盗家族睡魔永远的大和号无悔追踪王志文版饕餮记这儿是香格里拉布雷斯塔警长电影版坠落JK与废人老师 第二课军人的妻子三岛由纪夫传赛琳娜·戈麦斯：我的思想和我武林外传2006女杀油地狱红草滩视觉武神苏乞儿之红莲虫蛊三妹喜讯恒传镜花风月之螺女挑情惊魂鬼屋丛林奇兵想好以后再恋爱我的女人曼谷爱情故事之魅力的他