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A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院躲藏单恋美食家日记单挑荒野第一季局内人2015找到爱丽丝第一季神话的森林深宅未醒布鲁克林规则神鬼任务3：惩罚火烧红莲寺国语网络犯罪调查 第一季后视镜我的艺术洪熙官空中草原之恋杀死比尔2妻子与情人学生兵逐梦雨人最后的灰姑娘曼斯菲尔德庄园1999小偷阿星新一代黑手党追逐野马知我心之中国相亲报道摩洛哥日本少林战地枪王阿尔菲五十度黑2016
A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院躲藏单恋美食家日记单挑荒野第一季局内人2015找到爱丽丝第一季神话的森林深宅未醒布鲁克林规则神鬼任务3：惩罚火烧红莲寺国语网络犯罪调查 第一季后视镜我的艺术洪熙官空中草原之恋杀死比尔2妻子与情人学生兵逐梦雨人最后的灰姑娘曼斯菲尔德庄园1999小偷阿星新一代黑手党追逐野马知我心之中国相亲报道摩洛哥日本少林战地枪王阿尔菲五十度黑2016