Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院蛟龙行动首相阁下的料理人楚国八百年孤独的美食家 第二季一千零一夜第3部:迷醉之人 A大联盟风暴来临2007澳大利亚版房子2024火海肉搏战拿破仑情史串杀背后警苑神掌越王勾践航拍埃及操行零分粤语大秦帝国之裂变海外版芭比和肯德拉闯入乔·鲍勃汽车影院狂欢狂舞派炼狱校园玩偶杀手迷情三角谋杀案圣堂风云蝴蝶心身为魔族的我想向勇者小队的可爱女孩告白。伦敦来的明信片致命助理荒城纪(国语版)巨乳排球斩王云南省政协2025年新年茶话会文艺